I’d like to show you a video. For different reasons than its title tells you to, though.
The zoom telephoto lens pool for Fujifilm X mount is growing larger each year, and that can only be a good thing. Fujifilm already offers multiple great candidates. Tamron and Sigma are also getting involved as they too want a piece of the pie. Do they stack up? The Tamron 150-500mm certainly does, but how about the Sigma? Let’s have a look!
The successor to the worldwide popular, and rightfully so, Fujifilm X100V has finally been revealed! The new X100VI brings forth some very welcome features while staying true to what made the X100 lineup great. We’ve used it for a while and loved it! How was it? What’s new? What stayed the same? Is it worth upgrading? Will you even be able to get one?
Some say it’s the best focal length. I certainly believe so. And while the options for an equivalent 35mm lens for Fujifilm cameras have been scarce, there are good ones out there. Does this one fit well? Does it stand out? Is it better than some Fujifilm offerings? I’d say it’s worth trying.
Fujifilm users have had their options rather limited when it came to wide angle fast-aperture zooms. Well, the only option has been the fan-favorite but bulky XF 8-16mm f2/.8 R LM WR, but now, there’s a new kid on the block. How does it compete? Is it worth considering?
The discussion of what kind of glass is better for documentary photography has been around since the beginning of the genre itself over a century ago. Some swear by using primes only, while many prefer the versatility of a zoom. What are the benefits? What are the downsides? Let’s look at both!
Yet another re-review of a discontinued but still very valid camera. The Fujifilm X-T4 slightly moved away from what made Fujifilm unique, but not in a bad way. It pushed the series into new areas and appealed to the dual creator quite confidently. Is it still worth getting today?
Nikon’s mirrorless lens lineup is slowly but surely growing, but a good lens selection can’t rely on only first-party offerings. Other manufacturers matter greatly. The new Tamron 150-500mm is a welcome addition to the Z mount, with its long telephoto range, decent aperture, and compact size.
Canon has just announced their longest zoom lens for the RF mount, the RF 200-800mm f/6.3-9 IS USM ,and we’ve tried it in the real world. How was it? Pretty damn enjoyable! Is it worth considering? We certainly believe so! But there is a downside to it. Let’s have a proper look at the new telephoto.
Compact, packs a punch, and relatively cheap. The GX9 is one of the many cameras recently discontinued by Panasonic which has undoubtedly found a well-deserved following. The manufacturer has been unfortunately turning away from smaller cameras, and that is a damn shame. The GX9 is a perfect proof.
Many have been waiting for it ever since the release of the Z fc. Well, it is finally here and it is not just gorgeous, but surprisingly well-built using high-quality materials and impressive tech. The Nikon Z f is partially a Z6 II, a Z8, and a beautiful FM2 and yet it’s its own unique thing.
When it comes to used cameras there are many powerful contenders for the top spot in terms of the best bang for your buck. Well, almost no cameras have been losing value as fast as Fujifilm’s X-Ts with each new release. For a budgeting photographer, this can only mean you get the good stuff cheap.
Many lenses claim the title universal or try to be a one-for-all kind of focal range but very few can actually be used for a majority of scenarios thrown your way. The new Tamron 35-150mm f/2-2.8 might just be one of those lenses. But does it pull its weight? And would you carry its weight?
I wish we’d all just move on. The format that used to be a compromise between image quality and price in the film days is nowadays being taken as the sole possibility for a serious photographer, and if you are not part of the gang, you apparently deserve to be ridiculed.
Fujifilm’s newest camera and a series of lenses have, after many rumors, finally been unveiled! The successor to the outstanding GFX 100 is finally here, and it packs a punch! What is new? What is better? Is it worth the upgrade?
You’d be hard-pressed to find a portable flash at the level of Profoto A2 in terms of build quality, size, weight, power, ease of use, and consistency. It is genuinely a tiny marvel for any photographer. It is almost hilariously simple to set up, and yet, it delivers terrific results. Best of all, if you buy a Profoto A2 between now and October 31, you get a Connect remote for free.
Sony has recently released a successor to a fan-favorite a6600 fittingly called the a6700. Don’t get me wrong, in those few days I had it it performed well, but there are some features that would elevate it to a different level. First things first though, what did Sony do well with the a6700?
I get questions like these daily, mostly from inexperienced or new photojournalists who want to get into documentary photography. I often repeat the same answers, so I figured it might be useful to put it all into a single article. So, here are the bare basics of high-risk documentary photography.
